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[DhtmlXQ_adddate]2017-07-28 10:26:58[/DhtmlXQ_adddate]
[DhtmlXQ_editdate]2017-07-28 10:26:58[/DhtmlXQ_editdate]
[DhtmlXQ_title]偷局聖手(2)47冷勝[/DhtmlXQ_title]
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[DhtmlXQ_class]象棋棋谱大全-近现代残排局[/DhtmlXQ_class]
[DhtmlXQ_event]陶情弈趣[/DhtmlXQ_event]
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[DhtmlXQ_result]红胜[/DhtmlXQ_result]
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[DhtmlXQ_remark]皇甫吉露[/DhtmlXQ_remark]
[DhtmlXQ_author]周哲夫[/DhtmlXQ_author]
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[DhtmlXQ_comment0] 现在再请大家欣赏一局1964年由大昌编印的《百花排局谱》中的“蜂蝶争艳”作者:周哲夫[/DhtmlXQ_comment0]
[DhtmlXQ_comment47] 当您仔细看过上面两棋局后,就会发现两句发表的时间相隔十八年,从棋图上看,两图并不完全相同,如不深入研究,很难辨认两图是同一局。“蜂”局刊于《百花排局谱》是一本油印本,内容是十六人作品十六局,C也是其中之一,当是只印了数十册,编印者曾将此书分赠每人,C也不例外。|| 现在再来分析一下C所作的“入境问俗”局的“技巧”吧!开首C 局多了一个回合,用的是“装头法”;棋图上C删去了几个没用的子,用了“减子法”,又把原来的一路黑车移至三路,八路红炮移至七路,而实际作用完全一样,用了“移子法”,在棋着上C删去了原局||第四回合黑棋卒5平6和第五回合卒8平7两步可有可无的棋,作了“小改小革”。通过这些CHC独创的作局“技巧”,就轻而易举把他人辛勤创作的劳动成果,转为自己的创作。这究竟是“创作”还是剽窃?|||| 以下请看是排局“作家”还是排局剽窃家?(3)[/DhtmlXQ_comment47]
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